Installation composed of suspended serigraphs arranged as a tunnel-like spatial structure that culminates in a single work positioned at the end of the environment, creating a field of visual and perceptual transitions.
The project draws from the formal and symbolic presence of Hebrew letters, subtly embedded throughout the works as spatial, rhythmic and structural elements rather than explicit linguistic signs. Sequentially organized, the installation unfolds through shifting relations between absence, passage, containment and grounding.
By inviting viewers to physically cross the work, the installation transforms perception into a spatial and embodied experience, where movement, suspension and proximity become part of the construction of meaning.
